When I took over as President of
Baltimore Heritage in 1988, I inherited a project that had been dragging on for
years. Championed by Jim Dilts and Kitty
Black, the Baltimore Cast Iron Architecture Project was to document Baltimore’s
surviving cast iron buildings, and produce a book, walking tour and museum exhibit
on local cast iron architecture.
While
these goals were lofty and cast iron architecture was a unique architectural
contribution that had historic roots in Baltimore, I felt Baltimore Heritage
had other priorities at the time. In the late 1980s several downtown buildings
were threatened with demolition; older waterfront industrial buildings faced
redevelopment; and Baltimore desperately needed a master plan that stressed
preservation.
So, I made
the decision to put an end to the cast iron project, allowing the organization to concentrate our efforts on other priorities.
Baltimore Heritage would finish documenting the cast iron buildings and
put together a walking tour (perhaps in conjunction with the redevelopment of
300 W. Pratt Street - Baltimore’s most prominent cast iron building), but
forget the book and exhibit.
When
word of my decision filtered back to Jim Dilts, let’s just say he wasn’t pleased. He told me in no uncertain terms what he
thought of my plan and perhaps my nascent leadership skills as the new head of
Baltimore Heritage.
When he was through, I countered
with a challenge. Baltimore Heritage was
an all-volunteer organization with no paid staff and little resources (meaning virtually
no money). I would be happy to support
the whole project as originally outlined, book and all, but Jim would have to
take the lead in raising the funds in order to complete the project within 2-3
years. To my surprise Jim accepted the
challenge with the caveat that Baltimore Heritage would back him in his efforts
and allow the organization’s non-profit status to be used for raising
funds.
I agreed, but frankly thought he
would not succeed. I can’t remember how
much money was needed to fully fund the cast iron project, but I thought it was
an astronomical figure many times Baltimore Heritage’s minute annual
budget.
A few weeks later, Jim contacted me
and asked me to join him to meet with an executive of Maryland National Bank in
order to raise money for the project. It
was my first attempt at fund raising and I believe it was new to Jim as
well. I let Jim make the pitch on the
importance of the project and Baltimore’s unique contribution to cast iron
construction. I probably chimed in with
how this was an important project for Baltimore Heritage and would raise
awareness of the general need to preserve Baltimore’s historic buildings.
After a few insightful questions, I
was surprised that the bank executive not only agreed to a generous contribution
on the spot, but also provided us with contacts of other organizations he felt
would contribute to the project as well.
Furthermore, he allowed us to tell other organizations how much Maryland
National was contributing to the project as an incentive to get others to
support it.
We left
the meeting elated. Walking out of the
bank, I may have turned to Jim and asked, “What just happened?” I don’t remember his reply, just his Cheshire
cat grin. Success brings success. We soon had our funding in hand.
Jim lined up authors to write
chapters for the book: J. Scott Howell
on the technology of cast iron architecture; David G. Wright on the Sun Iron
Building; Phoebe Stanton on the Peabody Library; and Robert L. Alexander on Architectural
Iron Work, as well as a forweword by Margot Gayle, the grand dame of
national efforts to preserve cast iron architecture. Jim himself wrote the introduction, edited
the descriptions in the directory of local cast iron buildings, as well as being
the driving force behind the book.
There were other challenges to
complete the entire project. We worked
with the Maryland Historical Society on mounting a Cast Iron Architecture
exhibit. Compromises had to be worked
out with the photographer who took great photos of cast iron buildings – but felt
the exhibit should have been more a show of his work, than Baltimore’s cast
iron heritage. Somehow arguments between
Jim and the photographer did not come to blows, and in the end the gallery of
photos in the exhibit worked out masterfully with the artifacts, historic pictures and maps that
told the story of Baltimore’s Cast Iron Architecture.
I also recall a weekend walk Jim and
I took preparing for the cast iron architecture walking tour. Virtually every building we passed recalled
some story or event. I think there was a
bit of one-upmanship between us on who could come up with a fact that the other
didn’t know. I treasure that interaction
and regret that we didn’t take other similar walks around town.
The book, Baltimore’s Cast-Iron
Buildings and Architectural Ironwork, was the first and as far as I know, the
only book produced by Baltimore Heritage.
It was Jim’s baby, but I took pride in it as an accomplishment of
Baltimore Heritage, while I was president of the organization. The book helped to validate Baltimore Heritage's role in local affairs, during a time when we needed to take an activist role in preserving historic buildings.
It was the project that I tried to kill off – but Jim refused to let it die. What began as an adversarial relationship turned into a collaboration that I hope resulted in an even better product than what was first envisioned.
It was the project that I tried to kill off – but Jim refused to let it die. What began as an adversarial relationship turned into a collaboration that I hope resulted in an even better product than what was first envisioned.
Over the years I would see Jim
riding his bike around town. We would
converse from time to time about other preservation issues or points of local
architectural history – but basically went our separate ways. Yet both of us continued our love of local
history and architecture.
Jim Dilts was about 20 years my
senior, but he always seemed timeless to me.
Baltimore is better off for his devotion and efforts to improve his
adopted hometown.
I still have my copy of the cast iron
book he signed for me, with the inscription “For Fred Shoken, an effective
president of Baltimore Heritage and an articulate spokesman for Baltimore.” Effective and articulate are more apt
descriptions of Jim himself.
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